Rental AV
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Mixers
Mackie 1202 VLZ | Shure SCM-262 | Ashly LX308B | Behringer MX2642A
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Mackie 1202 VLZ
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The 1202-VLZ Pro is the ideal compact mixer for home and project studios looking for an economical solution for their audio needs. Thanks to its compact size and durability, the 1202-VLZ Pro can be used both in the studio and on the road.
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Features
- Ultra-low noise mixer with the highest headroom in its class
- 4 new precision-engineered XDR(tm) Extended Dynamic Range premium studio-grade mic preamps with:
- Ultra-wide 0-60dB gain range
- 130dB dynamic range, 24-bit digital ready
- 192kHz Bandwidth
- +22dBu line input handling
- Distortion under 0.0007% (20Hz-20kHz)
- Advanced DC pulse transformer RF rejection
- 12 line inputs (4 mono, 4 stereo pairs)
- Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
- 2 aux sends with 15dB of extra gain above Unity
- Constant-loudness pan pots
- 2 stereo aux returns w/EFX to Monitor
- Aux 1 master w/ Monitor/Post assign
- 3-band active EQ (80Hz, 2.5kHz, 12kHz)
- 18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops and low frequency recording studio room resonances
- Extra ALT 3-4 stereo bus for submixes, separate recording, monitor and 'mix minus' feeds
- Control Room/Phones multi-input source matrix
- Phantom power for premium condenser mics
- Rugged steel chassis, sealed rotary controls
- Built-in power supply--no wall wart!
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Shure SCM-262
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The SCM262 offers the particular features and benefits required by many smaller applications -- providing all the required flexibility
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Features
- Defeatable "ducking"
- "Jukebox mute"
- One active balanced XLR mic input channel
- One active balanced XLR mic and 1/4 inch TRS line input channelThree stereo input channels (Six phono connectors)
- One unbalanced stereo output (Two phono connectors)
- One balanced stereo mic/line output (Two 1/4 inch TRS connectors)
- 12V phantom power for condenser microphones
- All in a half-rack chassis
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Ashly LX308B |
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The LX-308B is a true stereo eight-channel line-level mixer which may also be used as a sixteen-channel mono mixing unit. It may be used by itself or as an expander for larger consoles. Some typical applications for the LX-308B include broadcast studios, satellite downlink distribution, or permanent installations involving multiple stereo line-level sources such as boardrooms. Each input of the LX-308B has front panel level and pan controls and individual channel muting switches with LED status indicators. Channels One and Two are switchable for either microphone or line-level input. Two five-segment LED meters indicate stereo output levels and clip indicator LEDs monitor all internal circuitry to warn of any possible overload. Stereo headphones may be connected to the front of the mixer, and the headphone output has its own level control. Pre-Master sub inputs and outputs may be used for linking the LX-308B to other mixers, such as the Ashly MX-508. The LX-308B provides precise line-level mixing control in an attractive, rack-mountable package. Rugged, versatile, and backed by Ashlyís exclusive Five Year Worry-Free Warranty, the LX-308B will provide years of reliable performance in demanding professional audio applications.
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Features
- Balanced Inputs and Outputs
- Eight Stereo or Sixteen Mono Inputs
- Individual Left, Right and Mono Outputs
- Channel 1 & 2 Selectable Mic or Line Inputs
- Unity Gain Signal Path Throughout when all Level
Controls are Set at Twelve 0 Clock
- L & R Level Meters w/Clip Indicators Monitor
all Internal Amplifiers
- Pre-Master Sub Inputs & Outputs for Linking
Multiple Mixers
- Individual Channel Mute Switches
- Stereo Output Mute Switch
- Stereo Headphone Output with Level Control
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Behringer MX2642A
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The MX2642A mixer offers eight mono channels with balanced ULN mic/line inputs, inserts, direct outs and 3-band EQ with sweepable mids plus low-cut and four stereo channels with 4-band EQ. All channels feature six aux sends, solo-in-place/PFL and mute functions with status LED’s and flexible routing options. Four additional, freely routable stereo inputs, four stereo aux returns and full-fledged subgroup/master sections with comprehensive monitoring and connection options round out this powerful mixing package.
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Features
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Channel inputs |
16 |
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Mono channels |
8 |
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Stereo Channels |
4 |
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Subgroups |
4 |
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Invisible Mic Preamps |
8 |
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EQ (mono channels)
High, low, semi-parametric mids, low-cut |
3-band |
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EQ (stereo channels) |
4-band |
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Aux sends |
6 |
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Stereo aux returns |
4 |
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Channel inserts and direct outs |
8 |
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Main mix insert |
1 |
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2-track input |
1 |
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Phantom power |
+48 V |
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